![]() The Waveform monitor shows the Brightness value of the pixels on a scale from 0–100 IRE, with 0 being black. Selecting YC Waveform in the Reference monitor. The Reference monitor opens with composite video showing change it to the Waveform monitor by clicking the Output button and selecting YC Waveform Figure 2 (below).įigure 2. Working in Premiere Pro’s Waveform Monitorīefore adjusting brightness in Premiere Pro, open the Waveform monitor by first selecting Window > Reference monitor. The clip we’ll work on, with multiple color issues. So we’ll fix both of those with the Fast Color Corrector.įigure 1. There are two problems: First, the color is a bit off-the sign is white and not brown-and second, my face is a bit too dark. Let’s take a look.įigure 1 (below) shows the clip we’ll be working with, which was shot at Streaming Media West in Los Angeles last year. If you’re a Final Cut Pro 7 user, I’ll also show you that Premiere Pro’s tools work very similarly to those that you’re used to and should be much easier to learn than those used in Final Cut Pro X. In this tutorial, I’ll show you how to correct color and adjust brightness and color saturation with Adobe Premiere Pro’s Fast Color Corrector. When you compress video for the web, the video can darken and colors can become muted. ![]()
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